lavinia fontana autoportrait

Lovely tribute, I hope Hasan’s blog comes back online at some point! While this portrait is an obvious reference to her artistic career, Fontana still had to keep in mind her appearance for the public eye. Fue hija del pintor Prospero Fontana, pintor de la escuela de Bolonia, que le enseñó el oficio. New Haven: Yale University Press, 2003. Please note: JavaScript is required to post comments. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. I’m sure that I could be responsible for any reasonable hosting “Lavinia Fontana’s “Self-Portrait Making Music’.” Woman’s Art Journal. 5 is Teised eraldusvõimed: 210 × 240 pikslit | 419 × 480 pikslit | 671 × 768 pikslit | 895 × 1024 pikslit | 4829 × 5527 pikslit. Thank you for this interesting post about Fontana’s self-portraits. Lavinia Fontana (Bolonia, bautizada el 24 de agosto de 1552-Roma, 11 de agosto de 1614) fue una pintora italiana del primer barroco. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? 2 Bohn, Babette. Lavinia Fontana was an Italian painting who was known as the first female painter to paint female nudes. Lavinia Fontana est l'unique enfant de Prospero Fontana et d'Antonia de' Bonardis. Unsurprisingly, virginity was highly desired by prospective husbands at the time, but I think that Fontana mentions her virginity to fit further societal expectations. Lavinia Fontana (August 24, 1552 – August 11, 1614) was a Bolognese Mannerist painter active in Bologna and Rome. Lavinia Fontana: Autoportrait au clavecin 1577 Huile sur toile - 270 × 240 mm Accademia Nazionale di San Luca, Rome . “Looking a Sight: Sixteenth-Century Portraits of Woman Artists.” Zeitschrift für Kunstgeschichte. 1600. 2012. The inscription in the right-hand corner of her portrait states: “Lavinia Fontana married into the Zappi family made this 1579.” In fact, this reference to her marriage was advantageous not only for purposes of societal decorum, but also a way to emphasize her social status, since the Zappi family held a comparatively high status in society. She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. 244. Also, because this portrait would be presented next to Sophonisba’s, Fontana most likely attempted to keep up with or even outdo her contemporary. Lavinia Fontana’s Self Portrait at the Keyboard of 1577 Self Portrait in the Studiolo, 1579 Leonardo Di Vinci said, “Painting excels and is superior in rank to music because it does not perish immediately after its creation, as happens unfortunately with music. (13) Since, “the ‘emblematic significance’ of dress made possible the visible marking out of one’s parental and marital identity,” her clothing choice seems skillfully chosen. (23) Still, historians and critics look to Self Portrait at the Keyboard and Self Portrait in the Studiolo as the primary self portraits of a woman who may have been the most talented professional woman portrait painter in Bologna. I thought that this month I would post one or two of the guests posts that I wrote for Hasan’s blog. See Liana De Girolami Cheney, et. XVIIIe 14siècles, notamment chez Sofonisba Anguissola , Lavinia Fontana (fig. Find more prominent … It’s nice to hear from another art historian who loves Lavinia Fontana! 28 déc. Ms. Celalettin has written back to me just now and this is what she has to say: Thank you for reaching out to me and for the condolances, Hasan Niyazi is my brother. Sep 23, 2020 - Lavinia Fontana – Self-portrait at the clavichord with maid-servant [1577] Selbstportrait am Clavichord mit Dienerin [1577] Rom, Accademia di San Luca As an art historian who is interested in female artists, I am particularly intrigued by the way that Lavinia Fontana chose to depict herself in self-portraits. Since Renaissance women weren’t always in control of how they were portrayed in art (women were often depicted by male artists), I like to see how a female artist represented herself when she did have control over her image. Lavinia Fontana : le triomphe au féminin Un nouveau pas en avant s’accomplit sous le pinceau de Lavinia Fontana (1552–1614). ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Excellent post, which I didn’t see the first time. Rather painting endures… Painting satisfying the sense of sight is more noble than music which only satisfies hearing. Lavinia Fontana, Autoportrait (1588) Une autre artiste (re)connue s’adonne aux autoportraits délégués : Lavinia Fontana. I have seen the “wedding” portrait first time several months ago, and was intrigued by the role of the servant. would potentially benefit. Nonetheless, we can see that Fontana wanted to portray herself in a certain way, especially since she knew that her image was intended for display alongside portraits of other prominent individuals. She is regarded as the first female career artist in Western Europe as she relied on commissions for her income. 2012. Renaud Camus has uploaded 25646 photos to Flickr. Self Portrait in the Studiolo was painted for Alfonso Ciacon in 1579. She is best known for her successful portraiture, but also worked in the genres of mythology and religious painting. Influenced by painters such as Ludovico Carracci and Sofonisba Anguissola and a practicer of Italian mannerist style, Fontana became highly successful with her detailed and delicate portraits. Guest post by Katherine A. McIver, Professor Emerita of Art History, University of Alabama at Birmingham Thinking about the upcoming exhibition at the Prado, Madrid (October 2019) celebrating the Renaissance women artists Sofonisba Anguissola (1532–1625) and Lavinia Fontana (1552–1614) prompted me to revisit the self-portraits painted by these two women. My problem is that it is difficult for us to establish what the artist’s true values were. Biography. . Lavinia Fontana. Lavinia Fontana, Self-portrait at the Clavichord with a Servant, 1577. Lavinia Fontana, “Self-Portrait at the Spinet,” 1577. For an example of extreme modesty in portraiture, see Sophonisba Anguissola’s Self-Portrait from c. 1555, in which she modestly covers herself with a mirror (which she protectively places in front of her body like a shield). The inscription behind Fontana reads, “Lavinia Virgo Prosperi Fontane/Filla Ex Speculo Imaginem/Oris Sui Expressit Anno/MDLXXVII” or “Lavinia the Virgin Daughter of Prospero Fontana depicted herself from a mirror in the year 1577.” (5) Descrbing herself as a virgin was particularly important to Fontana here, as this “a marriage portrait where her chastity was an essential quality in her recommendation as a wife.” (6) The reference in the inscription to a mirror indicates, perhaps, her honesty in her portrayal of self, but may also allude to the art of self-portraiture. 40. all, Lavinia Fontana’s ‘Self-Portrait’ and Gender.”, RT @geminicat7: ✨ Until tomorrow ... Although I appreciate your writing on Lavinia Fontana. Lavinia Fontana se forme dans l'atelier de son père, où elle rencontre [2]. Your footnote no. For one thing, I’m an art historian who is a woman. Ciacon was a Spanish Dominican theologian and scholar who lived in Rome. Lavinia Fontana. Web. Lavinia Fontana, born in Bologna in 1552 to Prospero Fontana, became one of the most popular Italian painters of her time. Lavinia Fontana, autoportrait; ca. Lavinia Fontana, The Holy Family with Saint Catherine of Alexandria, 1581. Of course, she marks the high status of Lavinia, but what exactly is she doing with musical sheets? My discussion of the red knot came from the Caroline Murphy text (2003) that I mentioned in the fifth footnote, but she must have gotten that information from your previously-published/presented work. I have written the following e-mail to Hasret Celalettin of Latrobe University in Australia. Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. UPDATE: Since writing this initial post in 2011, I have written more about Lavinia Fontana’s “Self-Portrait” for the Ciacón collection elsewhere on my blog: “Lavinia Fontana’s ‘Self-Portrait’ and Gender.”. In the meantime, I would like to make this post I wrote available again, in Hasan’s memory. Lavinia Fontana: Liste d'œuvres - Toutes les œuvres par date 1→10. Web. Lavinia Fontana learned painting from her father, Prospero Fontana, who was a highly-respected artist in Bologna. wide circle of his admirers. 14 Simons, Patricia. Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. Fontana looks confident and comfortable in her environment, even though this is the only self-portrait from the sixteenth century in which a female is seem studying the antique nude. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. She manifests her scholarly pursuits (she’s not just a mere “craftswoman”) by showing herself among anatomical casts and classical statuettes. 5 Jul. erudition on display again for those who knew him and for those who have yet to come into Lavinia Fontana (August 24 1552-August 11 1614) was an Italian painter. The placement of a maidservant behind her, along with her richly colored wardrobe also helped to convey Fontana as financially stable. Thank you for your citation and information. Besides evoking interesting points about chastity and propriety, the inscriptions are a reminder that the status of a woman was based on marriage, even as she shed her own identity. I would like to examine two of these self-portraits, including my own ideas with those that have been previously presented by Catherine King and Babette Bohn.1 I think these two portraits are quite revealing in terms of what Fontana felt was important to communicate about herself. She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. She was a skilled portraitist and was often commissioned by weathly members of the Bolognese elite to create portraits to commemorate influential moments in their lives. I certainly feel that way. community of his many admirers would very much like to see it restored in some form. Lavinia Fontana was born in Bologna, the daughter of the painter Prospero Fontana, who was a prominent painter of the School of Bologna at the time and served as her teacher. The red knot is also discussed in Caroline P. Murphy, Lavinia Fontana: A Painter and her Patrons in Sixteenth-century Bologna (New Haven and London, 2003), 41–3. Print. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Nov 26, 2018 - Explore Gordana Kotur's board "lavinia fontana" on Pinterest. (20) Her confidence and use of male statuettes “re-defines the feminine” and confronts taboos. Autoportrait avec un chien (Autorretrato con Perro Itzcuintli) a été réalisé en 1938 par la peintre mexicaine autodidacte Frida Kahlo (1907-1954), … Babette Bohn says that due to this, “it is less common to find 16th century artistic self portraits that explicitly identify their subjects’ artistic vocation.” (2) Palettes, brushes, drawings, and easels rarely appear. I wrote about this painting on a guest post at Three Pipe Problem a few years ago, and I regularly use this self-portrait when I discuss Renaissance art with my students. Lavinia Fontana, Autoportrait au Clavicorde avec un serviteur, 1577. Discover (and save!) (16) He owned what he called a museo, which in essence, was a gallery of five hundred illustrious women and men of the time. Le cadeau a été envoyé à l'occasion de la proposition de mariage, célébré le 13 Février 1577. À 25 ans, en 1577, Lavinia Fontana épouse un peintre mineur Gian Paolo Zappi d'Imola, qui arrête sa carrière pour devenir son assistant. Antonietta Gonzalez (as well as her father, two sisters and other family members) had hypertrichosis (also … 4 Murphy, Caroline P. Lavinia Fontana : a painter and her patrons in sixteenth-century Bologna. musical notation) to Lavinia, which ultimately stresses Lavinia’s education as one who can read music? Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? New Haven: Yale University, 1989, 35-37. I think blog posts are my equivalent for self-portraits, especially since I’m not an artist! Not only is she wearing modest clothing, but she further emphasizes her respectability by stating that she is married. For instance, my mother and women of her generation still signed their names as Mrs. Husband’s Name, as if they were subsumed by their marriage. Thank you for making the corrections. Artemisia Gentileschi , Autoportrait comme allégorie de la peinture , années 1630, Collection royale . Explore. Lavinia Fontana est l'unique enfant de Prospero Fontana et d'Antonia de' Bonardis. Although I don’t feel that I experience the same difficulties as women in the Renaissance period, I experience an element of self-awareness when I need to portray myself (either visually or in writing). I will let you know if anything comes of it. he definitely had very good insights into western art from which a much larger community To overcome this, artists often used self-portraits to emphasis socioeconomic and intellectual status. 4 King, p. 67. I hope Lavinia was able to continue to express her individuality in spite of societal obligations. Commission yourself a portrait today! Thank you very much again, it really touches me that there are so many people who have so much respect for him and his passion. She wears a dress in the traditional color of Bolognese wedding dresses and is covered in coral, gold and pearled jewelry. L'auto-portrait a été peint par Lavinia Fontana donner à Saverio Zappi, son futur beau-en fait, elle a épousé en 1577 Giovan Paolo Zappi, appartenant à une famille noble d'Imola. . 'Pine Cones' There are five self-portraits by Lavinia Fontana that are known: four paintings and one drawing. Lavinia Fontana. Web. Auto-portrait à l’épinette, Lavinia Fontana, huile sur toile, 1577, Rome, Accademia Nazionale di San Luca . Did she welcome the idea of marrying into a high status family or did she find them pompous bores? Fontana’s earliest self-portrait is quite unique, since it was created as a marriage portrait. See also Babette Bohn, “Female Self-Portraiture in Early Modern Bologna,” in Renaissance Studies 18, no. Your email address will not be published. Lavinia Fontana, Autoportrait (1588) Une autre artiste (re)connue s’adonne aux autoportraits délégués : Lavinia Fontana. We do not wish to appropriate his content; merely to see his Autoportrait (1600), Lavinia Fontana Minerve s'Habillant (1613), Lavinia Fontana Envoyer par e-mail BlogThis! 1 Kemp, Martin, ed. Lavinia Fontana (1552–1614), Self-Portrait at the Clavichord with a Servant, 1577, oil on canvas, 27 x 24 cm, Rome, Accademia di San Luca. There, she thrived again with the upperclass and formed strong bonds with many noblewomen in her district. D.874.15 À la fin de la Renaissance, Lavinia Fontana est une artiste réputée et l’une des toutes premières femmes (4) Self Portrait at the Keyboard was a painting produced by Fontana for her future father-in-law, Severo Zappi. Son père est peintre de la contre-réforme très en vogue auprès des papes. Hi Dilshat! 2 (2004): 251-256. See more ideas about fontana, female artists, portrait. In fact, the painting could be viewed in its entirety as a love knot– as a gift for the bethrothed.” (8) The expensive musical instrument suggests, perhaps falsely, that the Fontana family is financially stable, if not downright wealthy. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Thank you for your comment. Vintage Art. Along these lines, as a female blogger, I sometimes find myself concerned with how I portray myself in writing. I have thought about Hasan a lot lately, particularly because I think he would enjoy some of the topics I am exploring with my students. They attempted to establish painting as a liberal art rather than a superfluous artistic hobby. 1) ou encore Artemisia Gentileschi15 qui se représentent en musiciennes. With good wishes, Liana. Découvrez vos propres épingles sur Pinterest et enregistrez-les. (14) It is clear that the portrait was influenced by Sofonisba Anguissola’s own Self Portrait Making Music with a Maidservent from 1561, but has also been compared to several other portraits of women at the keyboard. Fontana visually manifests this care by not only stressing her virginity, but by appearing in modest red dress that suggests marriage (red was the traditional color for wedding dresses in Bologna).5, Lavinia Fontana, “Self Portrait In a Tondo,” 1579. Lavinia FONTANA, "L'homme sauvage" Histoire & Image, L2 Histoire Lyon Nous traiterons ici, à partir du portrait de Tognina Gonsalvus peint par Lavinia Fontana, de la vie de l'artiste et de la signification du tableau, aussi en le replaçant dans une plus large perspective des représentations de ces raretés de la nature, mi-hommes mi-animaux, dont l'iconographie est remplie à l'époque moderne. Fontana presents herself as a confident and fairly attractive woman. all,Self -Portraits of Women Painters. 12 janv. (A nineteenth century engraving of Fontana’s painting is helpful in seeing these details.) My very best wishes to you and please accept my condolences on your loss, Robert H. Consoli 18.2 (2004): 239-86. He is sorely missed. Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. It is not until Lavinia Fontana’s Self Portrait at the Keyboard of 1577 and shortly after, her Self Portrait in the Studiolo from 1579, that the first portrait directly referring to the artist’s vocation, artistic labor, appears. Lavinia Fontana. She has strong posture and her eyes gaze directly forward to the viewer. Grace Reff 7 King, 73. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Jun 20, 2018 - This Pin was discovered by Emily Aqualime. Vintage Mickey Art 4 Jul. Lavinia Fontana, (born 1552, Bologna [Italy]—died August 11, 1614, Rome), Italian painter of the Mannerist school and one of the most important portraitists in Bologna during the late 16th century. Italie, 1552-1614. “Female Self-portraiture in early modern Bologna.” Renaissance Studies. Although I am hopeful that the job market for women in academia is ever-improving (and equalizing), I think many women still feel cautious in how they present themselves in the academic world (in order to keep a competitive edge against men). Her face, which looks forward openly, has strong features and clear skin. 11 McIver, Katherine. Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. Hels says: October 6, 2014 at 1:53 pm. Sofonisba Anguissola, Lavinia Fontana, Artemisia Gentileschi mais aussi Virginia Vezzi, Orsola Maddalena Caccia, Giovanna Garzoni… Nombreuses sont donc les femmes peintres à s’être frayé un chemin au cœur de l’effervescence artistique et culturelle de la Renaissance ! In addition, her knowledge and learning are emphasized by the fact that she includes a Latin inscription in the upper corner of the canvas. Print. I’ve never considered the role of the servant very much, beyond how she functions as a symbol of status. Fille du peintre maniériste, Prospero Fontana, c’est avec lui que Lavinia fait son apprentissage. Voir plus d'idées sur le thème femme peintre, peintres italiens, peintre. charges. 401. . Autoportrait dans l’atelier (1579) Huile sur cuivre, diamètre 16 cm, Galerie des Offices, Florence. For more information, see Liana De Girolami Cheney, et. Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. In translation, the inscription reads, “Lavinia virgin/maiden of Prospero Fontana has represented the likeness of her face from the mirror in the year 1577.” Isn’t it interesting that Fontana is emphasizing her virginity? This month marks one year since my friend Hasan Niyazi, blogger from Three Pipe Problem, unexpectedly passed away. Vers la fin des années 1570, la jeune fille se fait connaître dans la ville par ses portraits, notamment l'Autoportrait au clavecin (1577, académie de Saint-Luc à Rome) et le très formaliste Famille Gozzadini (1584, pinacothèque de Bologne). Voir plus d'idées sur le thème peintres italiens, femme peintre, mode renaissance. Lavinia Fontana va juste après Sofonisba Anquissola dans la liste des célèbres peintres de l´époque de la Renaissance. Previously, in 1998, I presented a lecture to an international symposium at the National Museum of Women in the Arts, Washington, D.C. (May 9, 1998) on “Lavinia Fontana’s Self-Portraits,”where I unveiled this symbolism. all, Self-Portraits of Women Painters (London: Ashgate/Scolar Press, 2000), p. 60 (revised. I believe it correct that your brother, Hasan Niyazi, owned a web site called 3pipe.net. Los Angeles County Museum of Art, Los Angeles, CA. Art. 6. Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. 24 sept. 2020 - Explorez le tableau « Lavinia FONTANA ( 1552 - 1614 ) » de CLODROCK, auquel 150 utilisateurs de Pinterest sont abonnés. Hello Monica, Continuing the family business was typical at the time. This painting, Self-Portrait at the Spinet (also called Self-Portrait at the Keyboard) was made in 1577 for Fontana’s future father-in-law, Severo Zappi.2 I think Fontana felt some pressure at this time, since she was marrying into a family which held a higher social status than her own.3 One senses that Fontana felt a need to emphasize her wealth and status by observing various elements in her painting: her lavish clothing, jewels, and a servant in the background. (17) Ciacon knew of Fontana’s work and requested she send him “a little portrait of yourself… which can then accompany that of Sophonisba which shall thus be seen and looked at and recognized by everyone as it shall be made into a print among those five hundred illustrious men and women which shall be engraved in copper at the expense of his Grace the Archduke Ferdinand of Austria.” (18). Perhaps his content could be displayed again on his web site The present picture is a fine studio replica of the earliest known self-portrait by Lavinia Fontana, painted in 1575 and now preserved in a private Roman collection (M.T. Biography Lavinia Fontana was born in Bologna, the daughter of the painter Prospero Fontana, who was a prominent painter of the School of Bologna at the time and served as her teacher. Charles Rennie Mackintosh, 1925, RT @WMGallery: Are you thinking about learning a new skill during lockdown? After marrying Paolo Zappi, she gave birth to 11 children and moved to Rome in 1603. Fontana’s dress, “with its slashed sleeves, her huge lace collar and heavy gold cross… ensure her appearance as a gentildonna, and thereby could reflect a social parity with Anguissola.” (22) The dress is on par with that of her outfit in her Self Portrait at the Keyboard, but more truly reflects the artist’s passions and career.

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